Zehra Khan is a mutli-disciplinary artists who works in drawing, sculpture, installation, photography and film. A Pakistani-American born in Indonesia, she lived in Europe before moving to the US in 1994. She received a BS from Skidmore College in 2000 and an MFA from the Massachusetts College of Art & Design at the Fine Arts Work Center in Provincetown in 2009. She exhibits widely, including UMass Amherst, UMass Lowell, Worchester State University, Montgomery College, and the Boston Children’s Museum. She has hosted workshops and lectures at a variety of institutions including the Provincetown Art Association and Museum, the Cape Cod Community College, the School of the Museum of Fine Arts, and Roger Williams University.

    Zehra attended art residencies at Yaddo in 2013, the Vermont Studio Center in 2012 and 2010, and the Contemporary Artists Center at Woodside in 2010. She received the Massachusetts Cultural Council fellowship in Drawing in 2012, and is a current participant of the NYC Drawing Center Viewing Program and the deCordova Museum Corporate Lending Program. She is represented by ArtStrand Gallery in Provincetown.


    I transform my friends and myself into animals, painting directly on skin. This initiates a more social and collaborative art practice, and by painting on bodies I participate in acts of intimacy which are in themselves performances of social engagement. My painted volunteers become animal characters activating their environment, fictions drawn to understand natural, human behavior. Much like a kid building a fort out of pillows, it is the process of construction where I gather joy. The creation of this work spills into my real life, involving my friends, travel, playing, reacting, and assessing.

    The animal character is placed within an environment/installation; a complete painted background on paper or sheets, or sometimes a recognizable reality of beds, nightstands, and beer collides with drawn elements. This environment plays with two-dimensional drawings crafted into three-dimensional scenarios - like old theater scenery of cutout waves moving against one another to simulate the movement of the ocean. I change the scale, proportions and relationships of the viewer within the space with these low-fi illusions.

    The final product of this act is a photograph or film in which the viewer glimpses the surreal high jinks of a human disguised as a giant rat. Showing the photograph alongside the actual installation or filmed performance reveals more of the illusion and the process.